How I Met Your Mother Season 5 Episode 15. Valentine day is so near, here is TV series describes the romantic of valentine. So don’t miss your valentine with watch this. This tv series aired at CBS at 08.00 PM on Monday, February 8th 2010.

Here is the summary, Lily and Marshall forgetting to get Ted a blind date on Valentine’s Day, and then go the many discarded girls Barney has dated in order to see if any of them can be Ted’s future wife. So who is the Ted’s future wife? Meanwhile, Robin is invited to a party by an obnoxious colleague.

You can Watch and Download House Season 6 Episode Episode 13 through this link below:

Stefan, Damon, Elena and Bonnie attempt to open the mysterious tomb that they believe has confined Katherine for the past 145 years and are surprised by what they discover. Meanwhile, Jeremy and Anna agree to meet in the woods for a party, but he doesn’t know she has an ulterior motive for coming.

Can’t wait this episode click on the button below to Watch The Vampire Diaries Episode 14

Joseph Satriani (born July 15, 1956 in Westbury, New York) is an American multi-instrumentalist, known primarily for his work as an instrumental rock guitarist, with multiple Grammy Award nominations. His dexterity and years of dedication to his craft have earned him a reputation as a shred guitarist. Early in his career, Satriani worked as a guitar instructor, and some of his former students have achieved fame with their guitar skills (Steve Vai, Tom Morello, Larry LaLonde, Kirk Hammett, Charlie Hunter, Kevin Cadogan). Satriani has been a driving force in the music credited to other musicians throughout his career, as a founder of the ever-changing touring trio, G3, as well as performing in various positions with other musicians.

In 1988, Satriani was recruited by Mick Jagger as lead guitarist for his first solo tour. Later, in 1994, Satriani was the lead guitarist for Deep Purple. Satriani worked with a range of guitarists from several musical genres, including Steve Vai, John Petrucci, Eric Johnson, Larry LaLonde, Yngwie Malmsteen, Brian May, Patrick Rondat, Andy Timmons, Paul Gilbert, Adrian Legg, and Robert Fripp through the annual G3 Jam Concerts. He is currently the lead guitarist for the supergroup Chickenfoot.

He is heavily influenced by blues-rock guitar icons such as Jimi Hendrix, Eric Clapton, Jimmy Page and Jeff Beck, possessing, however, his own easily recognizable style. Since 1988, Satriani has been using his own signature guitar, the Ibanez JS Series, which is widely sold in stores. He has a signature series amplifier, the Peavey JSX, and signature Vox pedals The Satchurator The “Time Machine” and the “Big Bad Wah”.

Satriani was inspired to play guitar at age fourteen soon after learning of the death of Jimi Hendrix. He has been said to have heard the news during a football training session, where he confronted his coach and announced that he was quitting to become a guitarist. In 1974, Satriani studied music with jazz guitarist * and with reclusive jazz pianist Lennie Tristano. The technically demanding Tristano greatly influenced Satriani’s playing. Satriani began teaching guitar, with his most notable student at the time being fellow Long Island native Steve Vai. While he was teaching Vai, he was attending Five Towns College for studies in music.

In 1978 Satriani moved to Berkeley, California to pursue a music career, and Vai moved on to study at the Berklee School of Music, soon after graduating becoming a high profile guitarist first with Frank Zappa, and after, with other bands, and a solo career of his own.

Not long after Satriani arrived in California, he resumed teaching. His students included Steve Vai, Kirk Hammett of Metallica, David Bryson of Counting Crows, Kevin Cadogan from Third Eye Blind, Larry LaLonde of Primus / Possessed, Alex Skolnick of Testament, Rick Hunolt (ex-Exodus), Phil Kettner of Lääz Rockit, Geoff Tyson of T-Ride, and Charlie Hunter.

1980s

When his friend and former student Steve Vai gained fame playing with David Lee Roth in 1986, Vai raved about Satriani in several interviews with guitar magazines, including Guitar World magazine. In 1987, Satriani’s second album Surfing with the Alien produced popular radio hits and was the first all-instrumental release to chart so highly in many years. In 1988 Satriani helped produce the EP The Eyes of Horror for the death metal band Possessed.

In 1989, Satriani released the album Flying in a Blue Dream. “One Big Rush” was featured on the soundtrack to the Cameron Crowe movie Say Anything…. “The Forgotten Part II” was featured on a Labatt Blue commercial in Canada in 1993. “Can’t Slow Down” featured in a car-chase sequence in the Don Johnson starring show Nash Bridges.

1990s

In 1992, Satriani released The Extremist, his most critically acclaimed and commercially successful album to date. Radio stations across the country were quick to pick up on “Summer Song”, while “Cryin’”, “Friends” and the title track were regional hits.

In late 1993, Satriani joined Deep Purple as a temporary replacement for departed guitarist Ritchie Blackmore during the band’s Japanese tour. The concerts were a success, and Satriani was asked to join the band permanently but he declined, having just signed a multi-album solo deal with Sony, so Steve Morse took the guitarist slot in Deep Purple.

G3

In 1996, he founded the G3, a concert tour intended to feature a power trio consisting of three instrumental rock guitarists. The original lineup featured Satriani, Vai, and Eric Johnson. The G3 (tour) has continued periodically since its inaugural version, where Satriani is the only permanent member, featuring differing second and third members. Other guitarists who have performed in such a G3 configuration include among others: Steve Vai, Eric Johnson, Yngwie Malmsteen, John Petrucci, Kenny Wayne Shepherd, Robert Fripp, Andy Timmons, Uli Jon Roth, Michael Schenker, Adrian Legg and Paul Gilbert.

In 1998 Satriani recorded and released Crystal Planet, which went back to a sound more reminiscent of his late ’80s work. Planet was followed up with Engines of Creation, one of his more experimental works featuring the ‘Electronica’ genre of music. During the subsequent tour, a pair of shows at the Fillmore in San Francisco were recorded in December 2000 and released as Live in San Francisco, a two-disc live album and DVD.

2000 and beyond

Over the next several years, Satriani regularly recorded and released evolving music, including Strange Beautiful Music in 2002 and Is There Love in Space? in 2004.

In 2006 Satriani recorded and released Super Colossal and Satriani Live!, another two-disc live album and DVD recorded May 3, 2006 at the Grove in Anaheim, CA.

On August 7, 2007 Epic/Legacy Recordings re-released Surfing with the Alien to celebrate the 20th anniversary of its release. This was a two-disc set that includes a remastered album and a DVD of a previously never-before-seen live show filmed at the Montreux Jazz Festival in 1988. Satriani’s newest album, titled Professor Satchafunkilus and the Musterion of Rock, was released on April 1, 2008. Satriani will be releasing a Live DVD recording of a concert in Paris titled “Live In Paris: I Just Wanna Rock” and a companion 2 CD set on February 2, 2010. In March 2010 Satriani will be participating with other guitarists in Experience Hendrix Tribute Tour performing music written and inspired by Jimi Hendrix.

Copyright Infringement

On December 4, 2008 Satriani filed a copyright infringement suit against Coldplay in the United States District Court for the Central District of California.

Satriani’s suit asserts that the Coldplay song “Viva la Vida” includes “substantial original portions” of the Satriani song “If I Could Fly” from his 2004 album, Is There Love in Space?. The Coldplay song in question received two Grammy Awards for “Song of the Year.” Coldplay denied the allegation. The case has since been dropped.

Other work

Satriani is also credited on many other albums, including guitar duties on Alice Cooper’s 1991 album Hey Stoopid, Spinal Tap’s 1992 album Break Like the Wind, Blue Öyster Cult’s 1988 album Imaginos, band members Stu Hamm and Gregg Bissonette’s solo albums. Interestingly, he was credited with singing background vocals on the 1986 debut album by Crowded House. In 2003, he played lead guitar on The Yardbirds’s CD release Birdland. In 2006 he made appearances on tracks for Deep Purple vocalist Ian Gillan’s solo CD/DVD dual disc Gillan’s Inn. On Dream Theater’s 2007 album, Systematic Chaos, Satriani contributed spoken lyrics to the song “Repentance”. Satriani contributed a guitar solo to Jordan Rudess’ 2004 solo release Rhythm of Time.

Chickenfoot
Main article: Chickenfoot (band)

It was revealed on May 29, 2008 that Satriani is involved in a new hard rock band called Chickenfoot with former Van Halen members Sammy Hagar and Michael Anthony, and Red Hot Chili Peppers drummer Chad Smith. The band features Hagar on vocals, Satriani on guitar, Anthony on bass and Smith on drums,. Their debut album was released on June 5, 2009. The first single and video released from this album is the track “Oh Yeah”, which was also played on the Tonight Show With Conan O’Brien on June 5, 2009. Satriani received a writing credit on each of the songs featured on the band’s self-titled debut album.

Technique and influence

Satriani is recognized as a technically advanced rock guitarist, and has been described as a virtuoso by some publications. He has mastered many performance techniques on the instrument, including legato, two-handed tapping and arpeggio tapping, volume swells, harmonics, and extreme whammy bar effects. One of his trademark compositional traits is the use of pitch axis theory, which he applies with a variety of modes.[citation needed] During fast passages, Joe favors a legato technique (achieved primarily through hammer-ons and pull-offs) which yields smooth and flowing runs. He is also adept at other speed-related techniques such as rapid alternate picking and sweep picking, but does not often use them.

Satriani has received 15 Grammy nominations and has sold more than 10 million albums worldwide. Many of his fans and friends call him “Satch,” short for “Satriani”. An influential guitarist himself, Satriani has many influences, including jazz guitarists Django Reinhardt, Wes Montgomery, Allan Holdsworth and Charlie Christian,[28] and rock guitarists Jimi Hendrix, Eric Clapton, Jimmy Page, Jeff Beck and Ritchie Blackmore.

Equipment

Satriani has endorsed Ibanez’s JS Series guitars, and Peavey’s JSX amplifier. Both lines were designed specifically as signature products for Satriani. The Ibanez JS100 was based on and replaced the Ibanez 540 Radius model which Satriani first endorsed. However, Satriani uses a variety of gear. Many of his guitars are made by Ibanez, including the JS1000, and JS1200. These guitars typically feature the DiMarzio PAF Pro (which he used up until 1993 in both the neck and bridge positions), the DiMarzio Fred (which he used in the bridge position from 1993 to 2005), and the Mo’ Joe and the Paf Joe (which he uses in the bridge and neck positions, respectively, from 2005 to present day). The JS line of guitars is his signature line, and they feature the Edge Pro, which is Ibanez’s exclusive vibrato system, although he’s always used the Original Edge unit on his guitars. The guitar with which he was most often associated during the nineties was a chrome-finished guitar nicknamed “Chrome Boy” (this instrument can be seen on the Live in San Francisco DVD). However, the guitar used for most of the concert was in fact a lookalike nicknamed “Pearly”, which featured Seymour Duncan Pearly Gates pickups.

Satriani uses a number of other JS models such as the JS double neck model, JS700 (primary axe on the self-titled CD and seen on the 1995 tour “Joe Satriani”, which features a fixed bridge, P-90 pickups, and a matching mahogany body and neck), JS6/JS6000 (natural body) , JS1 (the original JS model), JS2000 (fixed bridge model), a variety of JS100s, JS1000s and JS1200s with custom paint work, and a large amount of prototype JSs. All double locking bridges have been the original Edge tremolo, not the newer models, which point to a more custom guitar than the “off the shelf” models. Joe played a red 7-string JS model, seen in the “G3 Live in Tokyo” DVD from 2005.He also has a prototype 24-fret version of the JS which he has used with Chickenfoot.

Satriani and the band

Satriani has used a wide variety of guitar amps over the years, using Marshall Amplification for his main amplifier (notably the limited edition blue coloured 6100 LM model) up until 2001, and his Peavey signature series amps, the Peavey JSX, thereafter. The JSX began life as a prototype Peavey XXX and developed into the Joe Satriani signature Peavey model, now available for purchase in retail stores. Joe Satriani has used other amplifiers over the years in the studio, however. Those include the Peavey 5150 (used to record the song ‘Crystal Planet’), Cornford, and the Mesa/Boogie Mark IIC+ (used to record the song ‘Flying in a Blue Dream’), amongst others.

His effects pedals include the Vox wah, Dunlop Cry Baby wah, RMC Wizard Wah, Digitech Whammy, BK Butler Tube Driver, BOSS DS-1, BOSS CH-1, BOSS CE-2, BOSS DD-2 and a standard BOSS DD-3 (used together to emulate reverb effects), BOSS BF-3, BOSS OC-2, Barber Burn Drive Unit, Fulltone Deja Vibe, Fulltone Ultimate Octave, and Electro-Harmonix POG (Polyphonic Octave Generator), the latter being featured prominently on the title cut to his 2006 Super Colossal.

Satriani has partnered with Planet Waves to create a signature line of guitar picks and guitar straps featuring his sketch art.

Although Satriani endorses the JSX, he has used many amps in the studio when recording, including the Peavey Classic. He used Marshall heads and cabinets, including live, prior to his Peavey endorsement. Most recently Satriani used the JSX head through a Palmer Speaker Simulator. Joe Satriani has also released a Class-A 5-watt tube amp called the “Mini Colossal”.

He is currently working with Vox on his own line of signature effects pedals designed to deliver Satriani’s trademark tone plus a wide range of new sounds for guitarists of all playing styles and ability levels. The first being a signature distortion pedal titled the “Satchurator”, and recently, the “Time Machine” which will be a delay pedal, with more to follow in 2008, including a wah pedal called the “Big Bad Wah”.

Recurring themes

Satriani’s work frequently makes references to various science fiction stories and ideas. “Surfing with the Alien”, “Back to Shalla-Bal” and “The Power Cosmic 2000″ refer to the comic book character Silver Surfer, while “Ice 9″ refers to the secret government ice weapon in Kurt Vonnegut’s Cat’s Cradle. “Borg Sex” is a reference to Star Trek, which features a homogeneous cybernetic race known as the Borg. His albums and songs often have other-worldly titles, such as Not of this Earth, Crystal Planet, Is There Love in Space?, and Engines of Creation.

On the album Super Colossal the song titled “Crowd Chant” was originally called “Party on the Enterprise”. “Party on the Enterprise” featured sampled sounds from the Starship Enterprise from the Star Trek TV show. But as Satriani explained in a podcast, legal issues regarding the samples could not be resolved and he was unable to get permission to use them. Satriani then removed the sounds from the song and called it “Crowd Chant.”

“Redshift Riders”, another song on the Super Colossal album, is “based on the idea that in the future, when people can travel throughout space, they will theoretically take advantage of the cosmological redshift effect so they can be swung around large planetary objects and get across [the] universe a lot faster than normal,” Satriani said in a podcast about the song.

On the album Professor Satchafunkilus and the Musterion of Rock the song “I Just Wanna Rock”, is about a giant robot on the run who happens to stumble upon a rock concert.

Source from : http://en.wikipedia.org/wiki/Joe_Satriani

Yeah, yeah, yeah, yeah
Every night and every day
I know what I need to get blown away
I turn it on to overload
And let the power of the sound explode

So come on, everybody let’s go
Turn it up – I just gotta have some more
(Gimme that)

Chorus:
Rock on the radio
You turn it up ’till your speakers blow
Rock on the radio
Come on, come on everybody let’s go

Like thunder, like dynamite
Ya know I’m gonna blow my speakers up tonight
I’m ready, going all the way
‘Cause rock on the radio is here to stay

So come on, everybody let’s go
Turn in up – I just gotta have some more
(Gimme that)

Chorus

All She Wrote
-W.Leverty-C.Snare-

Bye-bye baby bye-bye
And that was all she wrote

I got home late on a Saturday night
And I knew right away something wasn’t right
I knew she was gone
She took all I had, but left a hole in my heart
Should’ve known it’d go bad right from the start
What did I do wrong

I can’t understand why she would leave me this way
With nothing to say
Then I found the note on the door
It said good-bye and she don’t want me no more

Chorus:
Bye-bye baby, bye-bye she said in the letter
And that was all she wrote
Guess this is good-bye, guess this is forever
And that was all she wrote

I called on the phone but she wasn’t there
Should’ve known all along that she just didn’t care
Why did she have to go
Now I look at her picture and I wonder why
She left me this way – why did she say good-bye
I guess I’ll never know

I can’t understand why she would leave me this way
With nothing to say
I remember the note on the door
It said good-bye and she don’t want me no more

Chorus

Shake & Tumble
-W.Leverty-C.Snare-P.Richardson-M.Foster-

Turn up the jukebox
We’re gonna tear this damn place down
Lookin’ for action
Yeah, wherever it can be found
I ain’t no Johnny-come-lately
I’m Johnny-on-the-spot
I don’t need no lady
I need a woman that gets me hot
Too naughty to be nice, too bad to be good
I’m all shook up, b-b-b-baby I don’t know what to do
Got that rhythm and it makes me lose control
When we…

Chorus:
Shake and tumble
Shake and tumble down with me baby
Shake and tumble down
I need a woman that can make me
Shake and tumble down (aw yeah)

Body slammin’
Gotcha on the floor
D-down and dirty
Is what I’m lookin’ for

Got that rhythm and it makes me lose control
When we…

Chorus

Don’t Treat Me Bad
-W.Leverty-C.Snare-C.Ellis-M.Foster-

I never thought you’d hurt me
I guess you live and learn
That when you’re playin’ with fire you’re bound to get burned
I’ve been mistreated, I’ve been used before
I get kicked in the face still I come back for more

But I won’t cry no more ’cause the tears are all in vain
We can pick up the pieces and start it all again
Let’s just get back to the way it was before
Oh, girl I can’t take anymore

Chorus:
Baby, don’t treat me bad
Well, this could be the best thing that you’ll ever have
Baby, don’t treat me bad
(Well) you can do anything, but baby, don’t treat me bad
Oh, don’t treat me bad

I gave it everything, but you threw it all away
I can’t take anymore of these games that you play
I’ve been through heartache and I’ve been through pain
And it’s hard to believe you still treat me this way

But I won’t cry no more ’cause the tears are all in vain
We can pick up the pieces and start it all again
Let’s just get back to the way it was before
Oh, girl I can’t take anymore

Chorus

Oh girl, I can’t take anymore, oh yeah, now listen to me

Chorus

Oughta Be a Law
-W.Leverty-C.Snare-C.Ellis-

Ooo the lady in red, well she’s driving me mad
Her very first offense was just looking at me
But that second glance was a felony
Oh the lady’s so fine, but I think it’s a crime
She’s just too much for a man like me
They’d better lock her away and throw out the key

Chorus:
There oughta be a law
Against a girl like you
Oughta be a law
Against the things you do
Oughta be a law
For breaking hearts in two
There oughta be a law against a girl like you

Oh the lady is cool and she’s breaking the rules
If only looks could kill, she’d be killing me
Guilty, murder one in the first degree
Oh the lady’s unkind, she’s got me doin’ time
She’s just too much for a man like me
They’d better lock her away and throw out the key

Chorus

Y’know, I’m gonna take ya downtown
Strip ya down and throw it in the slammer, baby
I’m gonna throw the book at you, girl
Stick ‘em up!

Chorus

Lover’s Lane
-W.Leverty-C.Snare-C.Ellis-M.Foster-

She drives me crazy, she drives me wild
But when she tries to satisfy me when I’m drivin’
We need to stop somewhere for a while
I’m gettin’ ready, I feel the need for speed
Can’t slow down ’till she gives me what I need

I know just the place that we can go
Hop in the back, we can be all alone
Lock the doors and hold on tight
We’re gonna have a good time tonight

Chorus:
We’re going down, down, down to Lover’s Lane
That’s where she drives, drives, drives me insane
I’ll take her down to, down to Lover’s Lane
We’re going down, down down to Lover’s Lane

My motor’s runnin’, yeah it’s gettin’ hot
I get overloaded, overheated, could explode
I can’t believe it, we just gotta stop

I know just the place that we can go
Hop in the back, we can be all alone
Lock the doors and hold on tight
We’re gonna have a good time tonight

Chorus

Home Is Where the Heart Is
-W.Leverty-C.Snare-

Do you remember when we were only kids
Knew everyone in our neighborhood and swore that we would never forget
Well time flies and the years go by, but memories never fade
I’ve been gone much too long, gotta get back there someday

But my travelin’ days ain’t over yet
And no matter how far away
There’s one thing I can’t forget

Chorus:
Home is where the heart is
But I’m always on the run
Home is where the heart is
Though my journey’s just begun
Home’s where the heart is

We used to hang out through the day and party all night long
I never thought I’d go away from the place where I belong
But here I am on the road again and my love is miles away
I’ve been gone much too long, gotta get back there someday

But my travelin’ days ain’t over yet
And no matter how far away
There’s one thing I can’t forget

Chorus

No matter how far away
The one thing I can’t forget

Chorus

Don’t Walk Away
-W.Leverty-C.Snare-

Girl, you and I’ve been together
As long as I can remember
We’ve come too far to throw it all away
But you tell me that you’re leavin’
Oh and I just can’t believe it
You know I’d do anything if only you would stay

So if you love me, then don’t leave me
Don’t throw it all away
Baby, I’m beggin’ you please

Chorus:
Don’t walk away
(Well) Don’t leave and break my heart
(Well) It hurts because I love you and it’s tearin’ me apart
Never too late to say we’re sorry and try another way
I’m down on my knees, I need you baby
Don’t walk away

Now we’ve both done things that we regret
We could learn to forgive and forget
We’ll make it better, give it another try
Baby, don’t give up, don’t give in
Walkin’ away won’t solve anything
There’s nothin’ that I wouldn’t do to keep you satisfied

So if you love me, then don’t leave me
Don’t throw it all away
Baby, I’m beggin’ you, please

Chorus

Overnight Sensation
-W.Leverty-C.Snare-C.Ellis-M.Foster-

You’re headed for the spotlight, I know you can go far
You can do anything just follow your heart
Just set the wheels in motion, hold tight and stake your claim
Make sure that they will all remember your name

Can’t you feel it? Comin’ on, just let go
Can’t you see that you’re about to steal the show

Chorus:
(Oh) You’re the overnight sensation
You can be a star
Overnight sensation
No matter who you are

The stage is ready for you, can’t wait another day
There is no limit you can take it all the way
Just take your chance forever, and make your dreams come true
You know it’s now or never, it’s up to you

Can’t you feel it? Comin’ on, just let go
Can’t you see that you’re about to steal the show

Chorus

Love of a Lifetime
-W.Leverty-C.Snare-

I guess the time was right for us to say
We’d take our time and live our lives together day by day
We’ll make a wish and send it on a prayer
We know our dreams can all come true with love that we can share

With you I never wonder – will you be there for me
With you I never wonder – you’re the right one for me

Chorus:
I finally found the love of a lifetime
A love to last my whole life through
I finally found the love of a lifetime
Forever in my heart, I finally found the love of a lifetime

With every kiss our love is like brand-new
And every star up in the sky was made for me and you
Still we both know that the road is long
(But) we know that we will be together because our love is strong

Chorus

Helpless
-W.Leverty-C.Snare-

I don’t understand how I lost command
Of this entire situation
I do as I am told when you take control
I’m giving in to the temptation
I’ve lost control, I don’t know what to do
I’d sell my soul if I could stay with you

Chorus:
Can’t get enough without your love, I’m helpless
I need so much without your touch, I’m helpless
I want you so, don’t let me go, I’m helpless
Gotta have you, without you I’m helpless

Don’t turn your back on me, how can I make you see
I’m something that you should not ignore
You are my inspiration, my final destination
I could give you so much more
I’ve lost control, I don’t know what to do
I’d sell my soul if I could stay with you

Chorus

Ooo you’re rippin’ my heart in two
I’ve got to have you here with me
Oh there’s nothing that I can do
I’m helpless without you can’t you see

Chorus

Source from : http://www.firehousemusic.com

Track List :
1. Beautiful
2. I’m Eighteen
3. My Sacrifice
4. One Last Breath
5. Stand Here With Me
6. Weathered
7. Torn (Acoustic)
8. Higher
9. My Own Prison
10. One

Here is the download link :

http://hotfile.com/dl/24570463/3af34bf/Gigi_Bebulu_4.rar.html

Just for share & promotional only, so if you wanna support the artist & making their alive please buy the original album ^_^